Course variations

Course summary

The heart of the Screenwriting program lies in the relationship between the Fellow and the exemplary faculty who serve as teachers and mentors, guiding and supporting each writer's development in an intimate workshop setting. In the core Screenwriting Workshops, Fellows grow as cinematic storytellers through critique and analysis of their work by faculty and peers.The First Year begins with an immersion in the production process in order for writers to learn how screenplays are visualized. Initially writing short screenplays--one of which will be the basis for a First Year production--Screenwriting Fellows collaborate with Producing and Directing Fellows to see their work move from page to screen. By the end of the First Year, Fellows write a feature-length screenplay.Second Year Fellows may develop material for television--including biopics, television movies and spec scripts for sitcoms or one-hour dramas--in addition to writing theatrical films. They also have the opportunity to work closely with their peers from other disciplines, by either writing a script for Second Year thesis projects or by participating with Directing and Producing Fellows in developing thesis portfolio material.

Program modules

PRN 510: Introduction to Cycle Production - Boot Camp, PRN 511: Cycle Production I,PRN 512: Cycle Production II ,PRN 521 and 522: Narrative Workshop and Analysis,SCR 511 and 512: Screenwriting Workshop and Conference, SCR 521 and 522: The Art and Craft of Screenwriting/Dramatic Analysis,SCR 531: The Great Screenplays,SCR 532: Writing the Thriller ,CON 511 and 512: Master Seminars,CON 521 and 522: American Approaches to Film,SCR 611 and 612: Advanced Screenwriting Workshop,SCR 621 and 622: Advanced Art and Craft of Screenwriting: Workshop/Lecture ,SCR 631 and 632: Writing for Television Drama/Writing Comedy for TV and Film,SCR 670: Internship Practicum ,SCR 690: Screenwriting Thesis Portfolio ,CON 621 and 622: World Approaches to Film

Entry requirement for international students

Students should have a bachelor's degree. Applicants must have a demonstrated passion for narrative filmmaking. A demonstrated desire to collaborate with other artists in a rigorous Conservatory environment. A demonstrated experience and/or educational background related to the discipline to which they are applying. Applicants most have ability to supply portfolio (submission) materials conveying skill and experience in the applicant's desired discipline. All applicants are expected to be at least 21 years of age. Scores of TOEFL are also required.

Qualification

Masters

Awarding body

AMERICAN FILM INSTITUTE CONSERVATORY

Department name

American Film Institute Conservatory